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Tag Archives: sci-fi

Edge of Tomorrow (2014, dir. Doug Liman): Tom Cruise’s still ‘got it’

Edge_of_Tomorrow_PosterTom Cruise has still ‘got it’ as the smirking action hero, in an intelligent sci-fi thriller which is this year’s Inception (2010) or Looper (2012). Like the earlier films, it’s fun, well-acted with an intriguing intellectual premise which requires some concentration to follow; but also like them they aren’t ultimately deep or meaningful. In other words, an excellent summer blockbuster.

In this case the premise is based on Hiroshi Sakurazaka’s novella “All You Need Is Kill” (2004), and can be described as a mashup of Groundhog Day (1993) and Aliens (1986) – the former of which enables Cruise to burnish some comic relief chops among all the save-the-world seriousness. It’s probably also the best video game movie made so far (despite ironically not being based on a video game IP); the protagonist’s antics feel just like replaying a hard level of a 3D action game again and again until you finally beat it. Perhaps this film’s success, and its Japanese source material, might persuade studio execs to fund a live-action “The Legend of Zelda; Majora’s Mask”? …

** Spoiler alert ** After watching the film, it seemed the ending was a bit too ‘happy’ … sure enough, after some checking, the source material is a bit darker. I think execs made the right revenue-maximizing choice keeping the tone lighter and more accessible, but as a geek it would have been cool if they had made the originally written ending work, as for a double bonus it would have required a beefier role for Emily Blunt πŸ™‚

 
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Posted by on June 7, 2014 in Film Reviews, Passive Media

 

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Transcendence (2014, dir. Wally Pfister): Nolanesque grand concept sci fi with promising premise, but falls short

Transcendence2014PosterHelmed by Christopher Nolan’s director of photography, TRANSCENDENCE is Nolanesque grand concept sci fi that has a promising premise and high production values, but ultimately falls short. The script doesn’t do justice to the story’s central dilemma, nor to its moral implications. Instead major characters end up doing nonsensical things with unclear motivations, and the ending, instead of being intriguing and – well – transcendent (like Nolan’s better films), is instead confusing and trite. Entertaining, up to a point.

Coda: for sci fi geeks expecting a film that intelligently explores the fun ideas of singularity and transhumanism, unfortunately, you need to look elsewhere

 
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Posted by on April 19, 2014 in Film Reviews, Passive Media

 

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Divergent (2014, dir. Neil Burger): Derivative!

Divergent_film_posterMore aptly named “DERIVATIVE”, this YA coming-of-age fantasy faintly echoes what comes before – it makes THE HUNGER GAMES (2012) look almost literary by comparison, via an appealing female lead (though Shailene Woodley is no Jennifer Lawrence), a dystopian society (though not as in-depth or satirical) with a conniving but one-dimensional villain (on this, Kate Winslet ties with Donald Sutherland), and a chaste teen romance a la TWILIGHT (2008). The training sequences are a pale imitation of STARSHIP TROOPERS (1997), PACIFIC RIM (2013) or even the the flawed ENDER’S GAME (2013). I even half-expected the film to crack open the tried-and-tested “your world is a nested subroutine” trick from GHOST IN THE SHELL (1995), THE MATRIX (1999) or INCEPTION (2010) – though thankfully, we didn’t have to see a ‘hacked’ version of that … Overall, mildly diverting if you like this sort of thing.

As an aside, I have heard said that the movie is better than the books, in which case I’d like to (1) congratulate the 20-something Ms Roth on being able to rake in so much $$$ with so little effort, and (2) officially warn anyone against reading them ..

 
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Posted by on March 29, 2014 in Film Reviews, Passive Media

 

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Ender’s Game (2013, dir. Gavin Hood): solid yet flawed adaptation of the beloved sci-fi coming-of-age novel

220px-Ender's_Game_posterSolid sci-fi action with deeper-than-typical thematic exploration of the protagonist’s psychology and whether the ends justify the means. Given controversial author Orson Scott Card wrote the book decades before the current crop of young adult coming-of-age-while-saving-the-world fantasy (Harry Potter, Hunger Games, etc.), it’s interesting to observe the debt the later writers owe on plot, characterization, etc. Asa Butterfield redeems his Hugo (2011) turn in the titular role (streets better than Jake ‘annoying Anakin’ Lloyd who was under consideration for the part), while Harrison Ford shows us what Han Solo might have become if the civil war never ended, and Ben Kingsley epic fails at a New Zealand accent.

 
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Posted by on December 2, 2013 in Film Reviews, Passive Media

 

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The Hunger Games: Catching Fire (2013, dir. Francis Lawrence): a quality follow-up for fans of the first film

220px-Catching-Fire_posterFor fans of the first film, a quality follow-up, but doesn’t quite reach the hallowed circle of sequels that were better than episode 1 (Empire Strikes Back, Wrath of Khan, etc.) Somehow, the stakes felt a bit lower and less dramatic, and the plot is entirely predictable to anyone who’s read a lot of sci fi/ dystopian future lit – though Jennifer Lawrence does a creditable acting job (as ever). Entertaining, well-crafted, slightly-deeper-than-typical action fare, though still not good enough to make me want to read the books πŸ™‚

 
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Posted by on December 2, 2013 in Film Reviews, Passive Media

 

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Gravity (2013, dir. Alfonso Cuaron): 90-minute cinematic CGI thrill ride, tailor made for IMAX

Gravity_PosterSee it in IMAX (3D is optional). Very simple movie where the premise is the plot – an accident happens in space and the novice astronaut needs to survive. A 90-minute cinematic CGI thrill ride, alongside Sandra Bullock, who based on her performance will be in the hunt for her 2nd best actress gong.

 
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Posted by on October 20, 2013 in Film Reviews, Passive Media

 

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Looper (2012, dir. Rian Johnson): Terminator for the millennial generation

220px-Looper_posterHigh-quality, intelligent sci-fi action movie, feels like a modern update of Terminator, with Bruce Willis as an aged time-travelling killer instead of Arnie’s relentless robot, Emily Blunt as the protective mother, etc. Wlil probably not achieve the cultural impact of T1/T2, but recommended viewing nonetheless for fans of smart thrillers

 
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Posted by on September 30, 2012 in Film Reviews, Passive Media

 

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The Hunger Games (2012, dir. Gary Ross): smart, well-made thriller

220px-HungerGamesPosterSmart, well-made thriller which appeals both to the Twilight/Harry Potter set and adult auds who enjoy intelligent action movies. BO should be sky high. For the unitiated, take the central premise of Battle Royale (1999 Japanese novel of teenagers fighting to the death for sport under a totalitarian regime), set it in near future America, then throw in elements from The Truman Show (1998 Peter Weir flick) and the overall story arc from Gladiator (2000 Ridley Scott film). Though it plays more like The Running Man (1982 Stephen King novel, 1987 Schwarzenegger vehicle) than Lord of the Flies (1954 William Golding novel). Jennifer Lawrence shows how Kristen Stewart how to act, though it’s clear the weak link is Josh Hutcherson (who plays Peeta Mellark), especialy if Peeta has a big role in the sequels.

 
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Posted by on March 25, 2012 in Film Reviews, Passive Media

 

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