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Tag Archives: Oscar

A Star Is Born (2018): bravura remake dives off the deep end

Related imageVirtuoso debut performances from Lady Gaga (in her first feature film role) and Bradley Cooper (writer-director as well as actor) lift this remake beyond the humdrum into, well, star-making territory. Cooper is a surprisingly competent singer, but it’s Gaga who powers the 3 showstoppers “Shallow”, “Always Remember Us This Way”, and “I’ll Never Love Again”. Expect multiple Oscar nominations.
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Posted by on October 22, 2018 in Film Reviews, Passive Media

 

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Flight (2012, dir. Robert Zemeckis): compelling character study of a compromised captain

220px-Flight_film_posterCompelling drama that opens with the protagonist pilot (Denzel Washington) saving most of the passengers from a catastrophic plane crash, and then shows the audience the real plane wreck: a riveting study of the pilot’s compromised character. Denzel’s best role in a long while, he will surely be nominated for an Oscar. Plus, Lance Armstrong could have done with legal counsel like Don Cheadle’s 🙂

 
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Posted by on November 3, 2012 in Film Reviews, Passive Media

 

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The King’s Speech (2010, dir. Tom Hooper): didn’t deserve the Oscar – then again, not all of them do – but it’s enjoyable enough

imageLight, fluffy feel-good confection that dramatizes the friendship (even ‘bromance?’) of a British king (Colin Firth) and his speech therapist (Geoffrey Rush). Well-scripted with spare comic touches, the movie shines when the two leads share the stage, and in examining the vestiges of still-class-conscious Britain – such as the prejudice of an overweening Archbishop of Canterbury against an un-Oxbridge educated commoner using new controversial techniques – from Australia no less!

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Posted by on April 4, 2011 in Film Reviews

 

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The Social Network (2010, dir. David Fincher, script Aaron Sorkin): entertaining, sometimes gripping, but not the great classic it could have been

imageEntertaining take on the Facebook creation myth, with everyone a devil and no redeemers. Good movie, relevant since it captures part of the Web 2.0 zeitgeist, but not a great classic – Citizen Kane for the millennials this ain’t. Clever dialog from Sorkin, clearly researched for geek authenticity (slipped up on “m-y-s-q-l”), but no movie-making lines such as in his earlier scripts (A Few Good Men). Women will also be unimpressed by the lack of strong, sympathetic female portrayals (a hallmark of Sorkin’s prior work).

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