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The Tree of Life (2011, dir. Terrence Malick): impressionistic nature doco with little real drama

imageI spent most of this film’s running time worrying about the Bluetooth headset that I’d misplaced somewhere … to summarize the plot, Jack (Sean Penn) wakes up, walks to work, travels up an elevator, has some meetings at the office, rides back down the elevator, and walks back home as the sun starts setting. During the day, he reminisces about growing up in 1950s suburban Texas. The good parts are random scenes evoking childhood feelings, and a pretty cool but irrelevant CGI sequence showcasing the birth of the universe and of life on Earth.  But nothing really hangs together

 

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Posted by on July 11, 2011 in Film Reviews

 

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Midnight in Paris (2011, dir. Woody Allen): rom com souffle with a nostalgic Parisian garnish

imageWoody Allen still churns them out, this time a rom com souffle located in Paris, with a garnish of 1920s nostalgia. Owen Wilson is actually not bad as a put-upon writer, and Marion Cotillard is the luminous love interest. Add some jokes for the Hemingway/ Picasso/ Dali/ Fitzgerald crowd, and Allen’s fashioned a movie that would appeal to lovers of last year’s similarly light and fluffy The King’s Speech.

 

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Posted by on July 10, 2011 in Film Reviews

 

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Bridesmaids (2011, dir. Paul Feig): proving gross-out comedies and chick flicks can mix

imageJudd Apatow (The 40-Year-Old-Virgin, Knocked Up) only produced rather than directed, but it has the same core formula: smart potty-mouthed script, hilarious gross-out set pieces piling joke on over-the-top-joke, and a likeable loser protagonist whose pride, fall and emotional growth provide the film’s pathos. The main differences this time are the female leads (compared with the usual male leads) – including a fearless star turn from SNL comedienne Kirsten Wiig – and the classically ‘chick flick’ subjects of weddings, bridal parties, BFFs and a budding romance.  Certainly entertaining enough, watchable by women and men alike, though not quite as laugh-out-loud funny as its sibling films.

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Posted by on June 14, 2011 in Film Reviews

 

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What to do with the British Royal Family?–Privatize them!

imageIn recognition of the Queen’s birthday this weekend, I’d like to offer hearty congratulations to whoever is running PR for the Mountbatten-Windsors (or more accurately, the house of Herzogtum Sachsen-Coburg und Gotha); in the past few months they’ve had the fairytale fluff of The King’s Speech sweep the Oscars (in front of many more deserving and artistically important entries), and the wedding of Will and Kate went off without any embarrassing ‘hitches’ or soundbites, which meant among other things The Crown Prince Charles and The Royal Male Concubine Consort Philip kept their mouths shut!

There’s no end of controversy surrounding this family. 

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Posted by on June 12, 2011 in Social Commentary

 

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X-Men: First-Class (2011, dir. Matthew Vaughn): by-the-numbers revival of a flagging franchise

imageBest of the 2011 comic book movies so far (though that’s not a huge endorsement), this prequel revives the flagging X-Men franchise with by-the-numbers competence. While not as exhilirating or quirky as Vaughn’s last superhero flick Kick-Ass (2010), the action keeps moving, interspersed with the contrasting back-stories and philosophies of the upper-class idealist Charles Xavier/Professor X (James McAvoy) and the concentration camp survivor-realist Erik Lehnsherr/Magneto (Michael Fassbender). Goes beyond standard superhero scripts by dealing with themes of prejudice and xenophobia, and repeating the ‘smart action’ of the first flick (2000), where the mutant’s abilities are used in interesting and sometimes surprising ways.

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Posted by on June 7, 2011 in Film Reviews

 

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Ten things to fix for iOS 5: don’t try to lock me in with a cloud music storage service, just get the basics of a great UI right!

imageSo Steve Jobs will be making another bunch of announcements about iOS 5 and the revamped iCloud tomorrow (Monday, 6 June, 2011) at Apple’s WWDC (Worldwide Developers’ Conference). The buzz is they’ll re-announce a cloud-based iTunes service that will try to lock Apple-philes into the iOS platform even further by holding captive their personal content and app libraries. I’d rather Apple’s “stickiness” was a great user interface and brilliant functionality that continually improves faster than the competition. So they can achieve that, I’d first like to see Apple make some really basic fixes to iOS:

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Posted by on June 5, 2011 in Tech Disruptions

 

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Storytelling and digital games: the road goes ever on and on

There’s been some controversy this year (stoked by that venerable film critic, Roger Ebert) about whether computer games are really “art”.  Iimage’m not going to weigh in on this directly, but tangentially – through the lens of storytelling.  Can digital games tell stories which are as compelling and interesting as an epic poem, a novel, or a good movie (let’s call them “passive literature”)?  The answer is: yes, they are already, not quite at the level of timeless classic literature just yet.  There’s a long way to go, but we could get there in our lifetimes.

I wanted to explore this by reviewing a genre of computer game – the CRPG (computer or console role-playing game). Typically these are single-player games, where the player takes on the role of a defined protagonist in a quest. These are the closest types of games to novels or movies, except that the player can and does make decisions during the game (they don’t just passively sit and watch, or read and turn the page), and often these games run into 40-80+ hours (vs. say a 2-3 hour movie).  If we consider the genre as a whole, let’s compare their storytelling elements to the traditional components of a novel’s or movie’s story: plot, structure, characters, theme, setting, style and tone.  Then we’ll conclude with some thoughts on how game designers can continue to improve the story and experience of their games.

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Posted by on May 31, 2011 in Games

 

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Pirates of the Carribean: On Stranger Tides (2011, dir. Rob Marshall): time to retire this tired old franchise

image“Ho-hum, ho-hum, I’d rather have a bottle of rum” than watch this snoozefest! Director Rob Marshall (Chicago) has fashioned something better than Pirates 2 and 3, but that’s not a high bar. There’s one action scene that is half-exciting (Jack Sparrow’s (Johnny Depp) escape from the London palace) but the rest seems to drag, which is a problem for an action flick. The plot’s not as convoluted as the prior 2 installments, but it still doesn’t make sense …

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Posted by on May 30, 2011 in Film Reviews

 

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Thor (2011, dir. Kenneth Branagh): passably watchable big-budget superhero action

imageSlightly better than average for a big-budget superhero movie, especially considering Thor is positively B-list among the comic pantheon. Not bad CGI action, watchable faux-Shakespearean Asgard scenes (directed by Kenneth Branagh no less), but the movie falls apart when the action is on Earth. You’re supposed to buy that Thor (Australian newcomer Chris Hemsworth) learns humility and falls in love with a mortal (Natalie Portman), but it just doesn’t seem as believable as even the sci fantasy scenes of the Norse gods come to life.

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Posted by on May 13, 2011 in Film Reviews

 

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Source Code (2011, dir. Duncan Jones): a well-made Inception-lite for more intelligent thriller auds

imageAbove average, intelligent sci fi thriller wherein Jake Gyllenhaal makes up for his appalling turn in Prince of Persia. Interesting premise, with characters and back story you can care about, though the ending is perhaps a little too saccharine. If you digged Inception, then you’ll probably like Source Code (a little less mind-bending, a bit more action and explosions) …

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Posted by on May 7, 2011 in Film Reviews

 

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