Competent sci-fi thriller, though plays as a diet bland version of more powerful sci-fi that has gone before, e.g. even Cruise’s prior Minority Report (2002). Like Inception (2010), there’s a twisty action mystery plot, however in Oblivion it is telegraphed a bit too much. Or just like Nolan’s opus, there’s also a potentially philosophical and romantic angle which never quite packs the lyrical or dramatic punch that it could. The graphics are great, especially in IMAX.
Speaking of CGI, this is sadly not the movie of the Elder Scrolls game (though Oblivion or Skyrim could make impressive films, Dovahkiin). And Oblivion’s ending seemed derivative of the controversial climax to the Mass Effect trilogy. Maybe it says something when computer games’ stories can now be more compelling than movies’?
WetWareGames: Initiating Coverage with a Strong ‘Read and Discuss’ Rating!
Welcome to WetWareGames, and pleased to make your acquaintance! This a personal blog for sharing thoughts and discussions on hopefully interesting topics with friends and colleagues – and perhaps make some new friends along the way. According to Wikipedia, the fount of all human understanding, “wetware” refers to
both the physical brain and the human mind. So the name “WetWareGames” covers a breadth of subjects on which I might write:
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Posted by Jokersmiley on March 29, 2011 in Book Reviews, Cognitive Development, Film Reviews, Game Design, Game Reviews, Game Strategy, Games, Passive Media, Social Commentary, Tech Disruptions, TV reviews
Tags: Age of Empires III, Agricola, Apple, Ascension, Caylus, Christopher Nolan, computer games, Dominant Species, Dominion, Facebook, Glory to Rome, Google, IBM, Inception, Microsoft, mobile games, movie, Nightfall, politics, Puerto Rico, Race for the Galaxy, religion, Settlers of Catan, social games, The Prestige, Thunderstone, Twilight Imperium, unplugged games, Verräter, video games, Zynga