Tarantino’s best film since Pulp Fiction – there’s a remote chance the Academy might throw him a bone on this one since they snubbed him in 1994 in favour of the interminably bad Forrest Gump (anyone remember that one?) However, not impressed that Quentin is copying JJ Abrams – all this lens flare everywhere, offing his cameo character in the same way as Ilana Verdansky (Jacob’s bounty hunter follower on Lost), plus random guys with Australian accents in the 19th century American deep south are the new Star Trek redshirts …